This documentary chronicles the process by which 61 young creators draw their own illustrations, create animations, and add sound effects to complete a film. As the children experience the entire creative process firsthand, they come to realize that a film is not merely a final product, but an art form that is brought to life through imagination, collaboration, and engagement with the audience.

Interpreting the sequential drawings in Nam June Paik’s print reveals messages about communication through telecommunications technology and peace. In Frame on Color Bar, these images are reproduced on a 16mm film strip and set in motion, while AI on Frame reinterprets the work through AI. Juxtaposing the two films reveals moments of error in the technological interpretation and transmission of images. Frame on Color Bar x AI on Frame (2026) traces the transformation of media from drawing and print to film, video, and AI, prompting reflection on cinema and the history of image reproduction.

경준은 같은 보육원 출신의 친구 재현에게 ‘현금만 받는 노포 국밥집’을 털자는 제안을 받는다. 만만하게 생각했던 강도 짓은 한 사람의 등장으로 인해 전혀 뜻하지 않은 방향으로 흘러간다.

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这是一档旨在追寻大众所怀念的艺术家们的足迹，复原他们的声音并打造全新舞台而策划的节目。

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这是一个以“某街区，两人的故事”为概念，每年制作的长篇多段式（Omnibus）项目。 1. 《情感交易商》：失去表情的女子为购买情感，在某个凌晨遇见了神秘男子。 2. 《致所有事物》：她和他躺在帐篷里试图自杀，但一整晚他的决心动摇了。 3. 《宇宙约会》：她打算抛下他，再次前往外星行星。 4. 《你想念我了吗》：过气说唱歌手和他的老粉丝偶然一同登上了月尾岛观景缆车。 5. 《越过我的下游》：在溪谷中相遇的男子，早已记不起从前的她。

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